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看这部1960年的《一曲相思未了情》，最让我坐不住的是那种“才华与孤独拧在一起”的闷痛感。适合那些愿意在深夜慢慢消化一段感情的观众，也适合对古典音乐传记片有耐心的人——你会跟着剧情走神，想起某个旧人。 ★。 :)。 推荐理由：影片采用古典叙事结构，镜头如演奏会般精准——特写手部弹琴时的青筋与颤抖，反衬人物内心挣扎；远景则将维也纳歌剧院的金色穹顶与人物孤独剪影并置，形成视觉上的二重奏。最让我揪心的是他面对创作瓶颈时独自坐在空荡房间里的那段沉默，琴盖合上又打开，手指悬在半空，那种对完美的恐惧几乎能从屏幕渗出来。

In a confused welter of artistic licence, this is the classical music biopic which makes 'Song to Remember'look like a masterpiece. Bogarde succeeds in diminishing the reputation of the musical colossus who spanned European music for most of the 19th Century. The absurdities of the plot, the sequoia-like quality of the acting and the prevalence of historical,musical and linguistic anachronisms combine to elevate this offering to the status of an A1 turkey.How a pianist of the stature of Bolet came to be mixed up in this fiasco can only be guessed at. The characterisation of Liszt fails to convey even a minute impression of his magnetic personality and the overwhelming effect that he had on not only his audiences, but also his pianistic rivals.Clara Schumann herself said that 'we toil over that which Liszt reads at sight!' Whilst the emphasis seems to focus on his romantic prowess,rather than his status as the greatest pianist of the century or,arguably, of all time, one feels,nevertheless, that this was an opportunity lost.

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