故事是这样的：一战期间，一支意大利山地部队被派往阿尔卑斯山海拔三千米的前哨阵地。导演埃曼诺·奥尔米老爷子当时都快90了，拍出来的东西特别沉得住气——没什么大场面，镜头就慢慢扫过雪地、战壕、士兵的脸，连枪声都很少，更多是风声和呼吸声。剧情几乎没有高潮，唯一一次枪响却震得我差点从椅子上弹起来，那声枪响之后长达一分钟的静默，比任何爆炸都让人窒息。影片刻意回避了正面冲锋与英雄主义，转而用固定长镜头捕捉战壕中士兵们重复的挖土、用餐、沉默——这种近乎仪式化的日常，将战争的荒诞与无意义凝固在每一帧的呼吸间隙里。
适合不追求快节奏、愿意沉浸在历史质感中的观众。
看完后，窗外的风声都能让你想起那些永远留在高原上的年轻人。
The winter of 1917, the North-East front, the final clashes of the Great War. An Italian stronghold situated at 1800 metres above sea level, on the Asiago plateau, described in the novels of Mario Rigoni Stern. It’s snowing everywhere; the Austrian trenches are so close that you can hear the enemy soldiers breathing.
A hundred years since the outbreak of World War I, maestro Ermanno Olmi describes with Torneranno i prati his vision of a conflict that cost the lives of 16 million human beings, just as it was brought back to him by the memory of his father, called to arms at 19 years of age, to find himself within the bloodbath of Carso and Piave. A drama that scarred his youth and the rest of his life, just like millions of others.
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