哎，你要是还没看过《第二生命》，真得补上这部老片。叙事也是那种慢慢渗进来的恐怖，不是跳出来吓你。弗兰克海默用广角镜头把房间拍成扭曲的牢笼，人脸在画面边缘变形，每一帧都透着不安。没有激光或飞船，这部片子适合那些更关心“我是谁”而非“世界末日”的影迷，尤其是对黑色电影或存在主义题材上瘾的人。然而，新人生很快浮现出诡异的裂缝——邻居的热情暗藏监视，组织的承诺背后似乎还有更残酷的规则，他开始怀疑自己是否只是被摆布的试验品。剧情从“换脸重生”的科幻设定滑向存在主义噩梦：你以为死亡能重启人生，实则换来更窒息的操控。
Middle-aged banker Arthur Hamilton is given the opportunity to start a completely new life when he receives calls from his old friend Charlie. The only problem is that Charlie is supposed to be dead. Hamilton is eventually introduced to a firm that will fake his death and create an entirely new look and life for him. After undergoing physical reconstruction surgery and months of training and psychotherapy, Hamilton returns to the world in the form of artist Tony Wilson. He has a nice house in Malibu and a manservant, a company employee who is there to assist him with his adjustment. He finds that the life he had hoped for isn't quite what he expected and asks the company to go through the process with surprising results. Written by garykmcd
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