如果你正在犹豫要不要看，我可以告诉你：**值得花两个小时沉进去，但前提是你受得了慢节奏的心理压迫。主角那演员，眼神从麻木到崩溃，一层层剥给你看，尤其是审讯室里那段沉默，你都能听见自己心跳。导演Lado Kvataniya用冷调镜头和大量固定机位，把监狱走廊的呼吸声、铁门开合的金属摩擦都放大成压迫感，几乎每一帧都在积攒不安。适合喜欢《杀人回忆》那种社会派恐怖、不介意叙事节奏偏慢的观众，尤其推荐给对司法正义议题有思考的人。
如果你是那种喜欢《狩猎》《逃离绝命镇》里心理压迫感的人，这片子绝对对胃口。
演员没有歇斯底里的爆发，而是用越来越少的眨眼、逐渐僵硬的嘴角，把人在死刑判决面前的钝痛感演得极为真实——那种不是恐惧而是彻底无望的状态。
Like Fritz Lang, David Fincher or Bong Joon Ho before him, talented debut filmmaker Lado Kvataniya uses the concept of police detective vs serial killer for an excitingly stylised, macabre and haunting narrative, that ultimately revolves around the identity of an era: in this case, the late 1980s Soviet Union. With Glasnost and the end of communist rule, the West also learned of the (unsurprising) fact that there were serial killers in Russia too – the most notorious case probably that of Andrei Chikatilo, nicknamed the Rostov Ripper, or the Russian Hannibal Lecter.
Based on these and many other sources, Kvataniya and screenwriter Olga Gorodetskaya constructed an immersive psychological puzzle, jumping back and forth in time, to reveal ever new-possible motives for the actions of all the protagonists. It all starts in 1990, when Detective Issa Davydov is celebrating his promotion and receives a call, reporting a crime that looks precisely like the ones of the serial killer that he famously captured some years before ...
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