如果你正在犹豫要不要看，我可以告诉你：这部1967年的《死亡的甜蜜》值得花一个晚上安静地细品。如果你看腻了标准悬疑片里那种“谁杀了谁”的猜谜游戏，这部片子更关心的是“为什么我们甘愿被杀死”——它适合那些能忍受慢节奏、愿意咀嚼画面细节（比如雨夜霓虹灯映在湿漉漉柏油路上的倒影）的观众。电影里没有传统意义上的“黑与白”，只有一种潮湿的焦虑感慢慢渗进皮肤。让-路易·特兰蒂尼昂顶着他标志性的冷漠脸，演一个被欲望和阴谋绞住的丈夫，眼神里暗涌着神经质；伊娃·奥琳则像一只警觉的波斯猫，每一个微笑都像在设局。
建议喜欢“不好好讲故事”的艺术片老饕、或者痴迷60年代欧式波普美学的观众来啃这块硬骨头——它不适合追求爽快推理的人，但如果你享受被镜头语言反复挑逗的体验，这部片子能让你回味很久。
剧情推进像剥洋葱——每一层都带着腐甜的气味，但你始终不确定下一层是幻觉还是记忆。
Bernard meets Jane in a Night Club, in London, and he likes her. Her father was killed in a car accident, but Jane thinks he has been killed because he was blackmailed for a picture of his second wife, Jane’s mother in law. In the same Night Club Bernard finds the blackmailer corpse and Jane near him, but he believes she is innocent. So Bernard and Jane run away followed by a dwarf, the blackmailer’s men, who believe Bernard killed their boss and of course, the Police. They believe that Jerome, Jane’s brother, can help them to solve the case. But Jane doesn’t know where he is, or so she says. Corpse after corpse, Bernard will find out the truth. But will the truth help him?
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